Disclaimer: This is an independent creative test made with AI, for demonstration only. It isn't an ad for any brand shown or named, and isn't affiliated with, sponsored or endorsed by them. All trademarks belong to their owners
Nano Banana Pro + Kling 3.0 - a greyhound spot in scarlet instead of python print
A greyhound delivers a cognac bag to a woman in scarlet, picked over the brand's muted line
Tested by Nouamane Benbrahim
In today's "animal frames" series I did a test spot styled on Trussardi's look. A woman in a head-to-toe scarlet suit stands in a white studio, and a slate-grey greyhound trots in carrying a cognac handbag by its handle. Trussardi isn't a client, this was just a test. The real call here was the color: their actual line leans on muted python prints, and I went with loud red instead.
Here's my exact process.
1. The empty studio
White room, window on the left, from a prompt alone. One more pass whitens the floor.
Exact prompt
Create a new photorealistic image. This is a photograph taken inside a minimalist white studio from the start — not a composite. Shoot the whole space natively, with a single unified natural light source across every surface. THE VIBE: Austere, hushed, expensive emptiness — the pared-back quiet-luxury minimalism of a high-fashion campaign set before anything is placed in it. The room feels intellectual and cool, precise but not sterile, where the quality of light and the fall of a shadow are the only events. Stillness and generous negative space. THE SETTING: A clean, modern white studio — a seamless matte-white cyclorama sweep curving gently from floor to wall with no visible seam, its surface carrying the faintest real texture and tonal variation so it reads as painted plaster, not a flat digital void. A polished pale microcement floor with a soft satin sheen, subtle and almost imperceptible reflections. One tall floor-to-ceiling window just out of frame to the left. Architectural, uncluttered, refined proportions. THE LIGHT: Soft directional daylight raking in low from the left through the unseen window, casting long, clean, elongated geometric shadows across the white sweep and floor — the crisp diagonal of a window frame and mullions stretched across the wall. Gentle falloff from bright highlight to soft grey shadow, smooth gradients, no harsh clipping. Cool-neutral white balance with the faintest warmth where the sun lands. THE KEY DETAILS: The natural window-cast shadows are the subject — long, soft-edged diagonal bars and a rectangle of light on the floor. Delicate dust motes suspended in the light shaft. Subtle tonal gradation across the seamless wall. THE MOOD: Editorial, muted, cold-clinical calm with a breath of warmth. Restrained luxury. A clean neutral grade, whites held just off pure white, soft grey shadows, nothing oversaturated. THE COMPOSITION: Wide architectural frame, eye level, straight-on and balanced. Vast negative space with the shadows placed on a rule-of-thirds diagonal as the leading lines; low emphasis, open airy upper frame. THE CAMERA: Cinematic editorial architectural still — wide framing, eye-level straight position, deep focus with everything sharp edge to edge, lit exclusively by the single window daylight source with no studio strobes and no artificial separation, a clean cool-neutral naturalistic grade in the vein of Roger Deakins' understated natural light. Light falls off gently toward the frame edges. Hyperreal, tactile, every surface present.
Exact prompt
Create a new photorealistic image, but the floor is now white. Preserve everything else from the reference exactly — the seamless matte-white cyclorama wall, the soft low directional daylight from the left, the long clean geometric window-cast shadows, the composition, framing, grade and mood all stay identical. THE FLOOR (CHANGED): The floor is now a clean matte white, continuous with the seamless white cyclorama sweep so wall and floor read as one unbroken white surface, no visible seam. A soft satin sheen with subtle, almost imperceptible reflections, the faintest real texture and tonal variation so it reads as painted plaster rather than a flat digital void — never pure clipped white. THE SETTING (LOCKED): The minimalist white studio, the seamless curving cyclorama, the tall floor-to-ceiling window just out of frame to the left. Do NOT redesign the environment. THE LIGHT (LOCKED): Soft directional daylight raking in low from the left, casting long, clean, elongated geometric window-frame and mullion shadows across the white sweep and now the white floor, with gentle falloff to soft grey and smooth gradients. Cool-neutral white balance with the faintest warmth where the sun lands. Delicate dust motes in the light shaft. THE MOOD (LOCKED): Editorial, muted, cold-clinical calm with a breath of warmth, restrained luxury, clean neutral grade, whites held just off pure white. THE COMPOSITION (LOCKED): Wide architectural frame, eye level, straight-on, vast negative space, the shadows on a rule-of-thirds diagonal as leading lines, open airy upper frame. THE CAMERA (LOCKED): Cinematic editorial architectural still, deep focus everything sharp edge to edge, lit exclusively by the single window daylight source, clean cool-neutral naturalistic grade, gentle edge falloff. Hyperreal and tactile.
2. Why scarlet
After about a week of posting this series, the spots that did best had a saturated color popping off the white room. Muted, earthy palettes dragged. So instead of copying the python-print line, I put her in a vivid scarlet tailored blazer over a matching silk camisole and wide-leg trousers, with nude heels and a structured cognac bag. The greyhound is their Levriero, the dog in their logo since 1973.
3. Her pose
Left third, one hand at her hip. The only reference is the empty room. The suit is text, with the red as a hex code (#E2342B).
Exact prompt
Create a new photorealistic image. This is a photograph taken in the white studio from the reference from the start — not a composite. Rebuild the entire scene as if shot natively here, with unified lighting across subject and environment. THE VIBE: A bright, elevated Italian-luxury campaign moment — sleek and confident, clean white space, one bold scarlet color hit carrying the frame. IDENTITY LOCK: A woman in her late 20s, slim elegant build, warm medium-tan skin tone, long dark hair in a sleek low centre-part, refined natural makeup. THE SUBJECT: She stands in the LEFT THIRD of the room in a poised, confident stance — weight on one leg, one hand relaxed at her side, the other lightly at her hip, shoulders squared with a slight turn toward the open room, chin level, a cool composed expression, gaze sent slightly off-camera. True colours under neutral white light: a vivid scarlet-red tailored single-breasted blazer (saturated true red, #E2342B) over a matching scarlet silk camisole, scarlet-red wide-leg tailored trousers, and pointed nude-beige leather heels. Sharp, elegant Italian tailoring, well-fitted. THE FACE: Natural skin texture, no airbrushing, no plastic or waxy skin, real skin with subtle tonal variation, soft organic light. THE SETTING (UNCHANGED): Preserve the studio from the reference exactly — the tall window on the left, soft daylight pouring in, long geometric mullion-grid shadows across the smooth white floor. Large empty negative space filling the right side. Do NOT redesign the room, and do NOT remove or flatten the window light and floor shadows to plain even white. THE LIGHT: Soft natural daylight from the window on the left, gentle directional falloff — warm on her lit side, soft shadow on the other; crisp mullion shadows stretching across the floor. THE KEY DETAILS: No props, no text, no logos, no animals — just the woman in the empty studio. THE MOOD: A clean, elevated Italian-luxury campaign still; punchy scarlet-red against white. THE COMPOSITION: Wide framing, the woman small in the left third with generous negative space to her right, full-length, head in the upper-middle of the frame with comfortable headroom, matching the wide locked framing and camera distance of the reference. Do NOT zoom in. THE CAMERA: Editorial campaign capture — a clean full-length fashion frame, eye-level, deep focus so the room and floor shadows stay sharp, neutral balanced daylight. 16:9.
4. The greyhound
Pose frame as the only reference, so she and the suit stay put. The dog is text: slender, slate grey with a white blaze on its chest, true size, standing in front of her with the bag held by its top handle in its mouth. She takes the bag with one hand and rests the other on its head.
Exact prompt
Create a new photorealistic image. This is a photograph taken in the same white studio from the start — not a composite. Rebuild the entire scene as if shot natively here, with unified lighting across both subjects and the environment. THE VIBE: A bright, elevated Italian-luxury campaign beat with a chic surreal twist — an elegant greyhound presenting the bag. Clean white space, poised and premium, the scarlet color hit carrying the frame. IDENTITY LOCK: Preserve the woman exactly, from the reference — same late-20s face, long dark sleek centre-part hair, warm medium-tan skin, slim elegant build, the same vivid scarlet-red tailored blazer, scarlet camisole, scarlet wide-leg trousers and nude-beige pointed heels. Do NOT source her face, hair, skin, or outfit from anything else. THE SUBJECTS: The woman stands in the LEFT THIRD, same poised stance, turned toward the greyhound with a cool composed half-smile, bending slightly and reaching one hand down to receive the bag while resting her other hand lightly on the dog's head. Standing in the right-center is an elegant whole greyhound at true size — slender deep-chested build, long fine legs, sleek slate-grey coat with a white chest blaze, long narrow muzzle, calm dark eyes — STOPPED and facing her, head raised, actively OFFERING the gift: a structured cognac-tan leather handbag held by its top handle in its mouth, lifted up toward her hand so the handoff is clearly about to happen, the bag near her fingers, reading as a deliberate delivery. THE FACE: Natural skin texture, no airbrushing, no plastic or waxy skin, real skin with subtle tonal variation, soft organic light. THE SETTING (UNCHANGED): Preserve the studio from the reference exactly — tall window on the left, soft daylight, long geometric mullion-grid shadows across the smooth white floor, large open negative space. Do NOT redesign the room, and do NOT remove or flatten the window light and floor shadows to plain even white. THE LIGHT: Soft natural daylight from the window on the left; both the woman and the greyhound lit by the same source — warm on their lit sides, soft shadow on the far sides, each casting a real soft shadow onto the white floor; crisp mullion shadows preserved. THE KEY DETAILS: The cognac-tan leather handbag is the hero prop, clearly readable, offered in the greyhound's mouth toward her hand. No text, no logos. THE MOOD: A clean, elevated Italian-luxury campaign still — chic, premium, punchy scarlet against white. THE COMPOSITION: Wide framing matching the reference — the woman small in the left third, the greyhound in the right-center turned to face her, generous space around them, both full-length with comfortable headroom. Do NOT zoom in; hold the reference's camera distance and scale. THE CAMERA: Editorial campaign capture — clean full-length fashion frame, eye-level, deep focus so the room and floor shadows stay sharp, neutral balanced daylight. 16:9.
5. Logo card
Two references: the delivery frame for the room, and the real Trussardi logo as a transparent PNG. I still wrote "exactly once" in the prompt. It came out clean on the first pass, no double wordmark. The transparent background is what dodged the echo I'd had with logos on white.
Exact prompt
Create a new photorealistic image: the clean white studio end-card, now empty of people and animals, with the Trussardi brand logo resolved crisply in the center. THE VIBE: a high-end fashion campaign end-card — minimal, confident, gallery-clean. THE SETTING (UNCHANGED FROM FIRST REFERENCE): the exact same seamless white studio from the first reference — same floor, same soft wrap of daylight from the left, same subtle long shadows and gentle gradient on the back wall. The room is now completely empty: no model, no dog, no handbag. Just the pristine white space. THE SUBJECT: the Trussardi logo from the SECOND reference, placed centered in the frame — the stylized Trussardi greyhound/levriero head mark stacked above the TRUSSARDI wordmark in its classic serif capitals, rendered solid black, clean and sharp. THE KEY DETAILS: reproduce the logo EXACTLY as the second reference shows it — the greyhound head device above, the word TRUSSARDI below in its serif type. Render the wordmark and the mark EXACTLY ONCE. Do NOT repeat, echo, duplicate, mirror, or stack extra copies of the logo or the word anywhere in the frame. THE LIGHT: same clean studio daylight as the first reference, logo sitting flat and legible. THE COMPOSITION: logo centered, generous white negative space all around, 16:9. THE CAMERA: straight-on, eye-level, no distortion.
6. Walk-in
Empty room to pose frame. I split it into timed beats, enter, walk, settle, with the pose landing on the very last frame.
Exact prompt
A fashion model in a scarlet-red tailored suit walks into an empty white studio from the right and settles into a confident standing pose in the left third, the pose completing exactly on the final frame. THE STARTING FRAME: the empty white studio — seamless white floor and walls, soft daylight spilling from the left, long window-light shadows across the floor. No people, no animals. THE SETTING (UNCHANGED FROM FRAME): the same seamless white studio throughout — same floor, same soft directional daylight, same long shadows. The room itself never changes. [SCENE 1] (0–1s): orient on the empty studio, then the model's figure enters from the right edge of frame, mid-stride, scarlet suit catching the light. [SCENE 2] (1–3s): she walks leftward across the floor with a smooth, confident runway gait — arms relaxed and swinging naturally, hair and trouser fabric moving with each step, heels clicking the floor. [SCENE 3] (3–5s): she decelerates and settles into the final standing pose in the left third — weight shifted onto one hip, body angled toward camera, hands at her sides — coming to rest exactly matching the last frame. The pose lands once, on the final frame, and holds. THE CAMERA: locked wide shot, eye-level, static — no push, no pan. A DP letting the subject move through a fixed frame. High subject motion: a full confident walk across the room, natural fabric and hair movement.
7. Handoff
Same timed beats. The greyhound trots in head high with the bag, plants its feet in front of her, and lifts it a little toward her hand as she bends to take it and pet it.
Exact prompt
An elegant slate-grey greyhound trots in from the right carrying a cognac-leather handbag by its top handle in its mouth, crosses to the woman in the scarlet suit, stops facing her, and offers the bag as she reaches down and rests her other hand on its head — the handoff completing exactly on the final frame. THE STARTING FRAME: the woman in the scarlet-red suit standing in the left third of the empty white studio, facing slightly toward the open right side of the room. THE SETTING (UNCHANGED FROM FRAME): the same seamless white studio throughout — same floor, same soft left-side daylight, same long shadows. The woman's suit, face, hair and position stay consistent. [SCENE 1] (0–1s): orient on the woman in her pose, then the greyhound enters at a trot from the right edge, the cognac handbag held securely by the top handle in its mouth, head carried high. [SCENE 2] (1–3s): the dog crosses the floor toward her with a light elegant gait, then plants its feet and stops directly in front of her, facing her, lifting the bag slightly toward her hand. [SCENE 3] (3–5s): she bends toward it — one hand closing around the bag's top handle, the other lowering gently onto the crown of the dog's head in a pet — the two meeting exactly as the final frame shows. The handoff lands once, on the final frame. THE CAMERA: locked wide shot, eye-level, static — no push, no pan. High subject motion: the dog's full trot across the room, the woman's reach and pet.
8. A clean exit
Quick warning on walk-offs: name the exact artifact you don't want. I wrote "no limbs or tail left hovering at the edge", no smearing, no figure half in frame. Then she lifts the bag, they both turn right and stride all the way out, and the logo fades in.
Exact prompt
The woman takes the handbag, and she and the greyhound turn and walk off together toward the right, leaving the studio empty — then the black Trussardi logo resolves crisply in the center, exactly on the final frame. THE STARTING FRAME: the woman in the scarlet suit bent toward the greyhound, one hand on the bag's handle, the other on the dog's head, mid-handoff. THE SETTING (UNCHANGED FROM FRAME): the same seamless white studio throughout — same floor, same soft left-side daylight, same long shadows. [SCENE 1] (0–1s): she lifts the handbag fully and straightens, the dog's head rising as it releases the handle, both settling upright. [SCENE 2] (1–3s): the woman and the greyhound both turn to their right and walk together toward the right edge of frame — orient, then a clean ordered exit: both figures stride fully out of the right side of frame and completely clear it. Ban the artifact — no limbs or tail left hovering at the edge, no smearing, no figure half-in-frame. [SCENE 3] (3–5s): the now-empty white studio holds for a beat, then the solid-black Trussardi logo — the greyhound head device above the TRUSSARDI serif wordmark — fades crisply into the center of the frame, matching the final frame exactly. Render the logo and wordmark exactly once, no echo, no duplicate. THE CAMERA: locked wide shot, eye-level, static — no push, no pan. High subject motion: the full turn and walk-off, both figures clearing frame cleanly.
9. Join
In order: walk-in, delivery, walk-off. Emero did mine.
Exact prompt
Combine the clips in order
Why it works
A white studio makes any strong color the hero. Scarlet on white, plus a dog carrying a handbag, hits both things my best spots had in common: a color that pops and an animal doing something it never would.
Your turn: look up your brand's current collection and ask if those colors would pop on white. If not, find the boldest color they've ever used and build around it.
Emero writes the prompts and remembers your brand's colors and rules for next time, at cost.
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