Disclaimer: This is an independent creative test made with AI, for demonstration only. It isn't an ad for any brand shown or named, and isn't affiliated with, sponsored or endorsed by them. All trademarks belong to their owners
Nano Banana Pro + Kling 3.0 - a cougar handoff and a pet in the same beat
A real-size cougar delivers a red crossbody bag while she takes it and pets it at the same time
Tested by Nouamane Benbrahim
In today's "animal frames" series I did a test spot styled on Puma's look. A woman in a fuchsia track top and electric-blue pants waits in a white studio, a real tawny cougar pads in with a red crossbody bag in its mouth, and she takes the bag and pets it at the same time. Puma isn't a client, just a test of mine. Puma's logo is a leaping cougar, and the angle here is packing the handoff and the pet into one moment instead of two.
Here's my exact process.
1. Empty white space
Prompt only, nothing attached: a white studio, the window to the left, long shadows on the floor. A second pass made the floor white.
Exact prompt
Create a new photorealistic image. This is a photograph taken inside a minimalist white studio from the start — not a composite. Shoot the whole space natively, with a single unified natural light source across every surface. THE VIBE: Austere, hushed, expensive emptiness — the pared-back quiet-luxury minimalism of a high-fashion campaign set before anything is placed in it. The room feels intellectual and cool, precise but not sterile, where the quality of light and the fall of a shadow are the only events. Stillness and generous negative space. THE SETTING: A clean, modern white studio — a seamless matte-white cyclorama sweep curving gently from floor to wall with no visible seam, its surface carrying the faintest real texture and tonal variation so it reads as painted plaster, not a flat digital void. A polished pale microcement floor with a soft satin sheen, subtle and almost imperceptible reflections. One tall floor-to-ceiling window just out of frame to the left. Architectural, uncluttered, refined proportions. THE LIGHT: Soft directional daylight raking in low from the left through the unseen window, casting long, clean, elongated geometric shadows across the white sweep and floor — the crisp diagonal of a window frame and mullions stretched across the wall. Gentle falloff from bright highlight to soft grey shadow, smooth gradients, no harsh clipping. Cool-neutral white balance with the faintest warmth where the sun lands. THE KEY DETAILS: The natural window-cast shadows are the subject — long, soft-edged diagonal bars and a rectangle of light on the floor. Delicate dust motes suspended in the light shaft. Subtle tonal gradation across the seamless wall. THE MOOD: Editorial, muted, cold-clinical calm with a breath of warmth. Restrained luxury. A clean neutral grade, whites held just off pure white, soft grey shadows, nothing oversaturated. THE COMPOSITION: Wide architectural frame, eye level, straight-on and balanced. Vast negative space with the shadows placed on a rule-of-thirds diagonal as the leading lines; low emphasis, open airy upper frame. THE CAMERA: Cinematic editorial architectural still — wide framing, eye-level straight position, deep focus with everything sharp edge to edge, lit exclusively by the single window daylight source with no studio strobes and no artificial separation, a clean cool-neutral naturalistic grade in the vein of Roger Deakins' understated natural light. Light falls off gently toward the frame edges. Hyperreal, tactile, every surface present.
Exact prompt
Create a new photorealistic image, but the floor is now white. Preserve everything else from the reference exactly — the seamless matte-white cyclorama wall, the soft low directional daylight from the left, the long clean geometric window-cast shadows, the composition, framing, grade and mood all stay identical. THE FLOOR (CHANGED): The floor is now a clean matte white, continuous with the seamless white cyclorama sweep so wall and floor read as one unbroken white surface, no visible seam. A soft satin sheen with subtle, almost imperceptible reflections, the faintest real texture and tonal variation so it reads as painted plaster rather than a flat digital void — never pure clipped white. THE SETTING (LOCKED): The minimalist white studio, the seamless curving cyclorama, the tall floor-to-ceiling window just out of frame to the left. Do NOT redesign the environment. THE LIGHT (LOCKED): Soft directional daylight raking in low from the left, casting long, clean, elongated geometric window-frame and mullion shadows across the white sweep and now the white floor, with gentle falloff to soft grey and smooth gradients. Cool-neutral white balance with the faintest warmth where the sun lands. Delicate dust motes in the light shaft. THE MOOD (LOCKED): Editorial, muted, cold-clinical calm with a breath of warmth, restrained luxury, clean neutral grade, whites held just off pure white. THE COMPOSITION (LOCKED): Wide architectural frame, eye level, straight-on, vast negative space, the shadows on a rule-of-thirds diagonal as leading lines, open airy upper frame. THE CAMERA (LOCKED): Cinematic editorial architectural still, deep focus everything sharp edge to edge, lit exclusively by the single window daylight source, clean cool-neutral naturalistic grade, gentle edge falloff. Hyperreal and tactile.
2. Bright sportswear
I pulled a vibrant 2026 sportswear palette from Puma with hex codes: a fuchsia-pink zip track top (#D6218C), electric-blue track pants (#1F6FEB) and white sneakers. The bright red (#E4002B) is saved for the bag. She stands small in the left third with a hand on her hip, and I asked for no props, no text and no animals yet.
Exact prompt
Create a new photorealistic image. This is a photograph taken in the white studio from the reference from the start — not a composite. Rebuild the entire scene as if shot natively here, with unified lighting across subject and environment. THE VIBE: A bright, energetic, sporty campaign moment — athletic and current, clean white space, one bold hit of saturated color carrying the frame. IDENTITY LOCK: A woman in her mid-20s, athletic build, warm medium skin tone, dark hair pulled back in a sleek high ponytail, clean natural look. THE SUBJECT: She stands in the LEFT THIRD of the room in a relaxed, confident athletic stance — weight on one leg, one hand resting on her hip, shoulders turned slightly toward the open room, chin level, an easy half-smile, gaze sent slightly off-camera. True colours under neutral white light: a fuchsia-pink zip track top (saturated magenta-pink, #D6218C), electric-blue track pants (bright cobalt, #1F6FEB), clean white sneakers. Sporty, well-fitted athletic styling. THE FACE: Natural skin texture, no airbrushing, no plastic or waxy skin, real skin with subtle tonal variation, soft organic light. THE SETTING (UNCHANGED): Preserve the studio from the reference exactly — the tall window on the left, soft daylight pouring in, long geometric mullion-grid shadows across the smooth white floor. Large empty negative space filling the right side. Do NOT redesign the room, and do NOT remove or flatten the window light and floor shadows to plain even white. THE LIGHT: Soft natural daylight from the window on the left, gentle directional falloff — warm on her lit side, soft shadow on the other; crisp mullion shadows stretching across the floor. THE KEY DETAILS: No props, no text, no logos, no animals — just the woman in the empty studio. THE MOOD: A clean, upbeat sportswear campaign still; punchy saturated color against white. THE COMPOSITION: Wide framing, the woman small in the left third with generous negative space to her right, full-length, head in the upper-middle of the frame with comfortable headroom, matching the wide locked framing and camera distance of the reference. Do NOT zoom in. THE CAMERA: Editorial campaign capture — a clean full-length fashion frame, eye-level, deep focus so the room and floor shadows stay sharp, neutral balanced daylight. 16:9.
3. Both hands busy
I already had a black puma in my very first spot for another brand, so this time I asked for a real tawny cougar at true natural size: golden-tan coat, pale cream underside, long heavy tail. It stops right in front of her, head raised, offering a bright-red Puma crossbody mini bag by its strap.
The pose is the whole point. One hand takes the strap, the other rests on the cougar's head. Handoff and pet, same moment. The only reference was the pose frame.
Exact prompt
Create a new photorealistic image. This is a photograph taken in the same white studio from the start — not a composite. Rebuild the entire scene as if shot natively here, with unified lighting across both subjects and the environment. THE VIBE: A bright, athletic, warm campaign beat — the cougar delivering the bag while she takes it and pets it. Clean white space, upbeat, saturated color pops carrying the frame. IDENTITY LOCK: Preserve the woman exactly, from the first reference — same mid-20s face, sleek dark high ponytail, warm medium skin tone, athletic build, same fuchsia-pink zip track top, electric-blue track pants and white sneakers. Do NOT source her face, hair, skin, or outfit from anything else. THE SUBJECTS: The woman stands in the LEFT THIRD, bending slightly toward the cougar with a delighted warm smile, in a two-handed moment: ONE hand reaching to the bag's strap to RECEIVE it, the OTHER hand resting gently on the cougar's head, PETTING it. Standing right in front of her is a real tawny cougar (mountain lion) at TRUE natural size — sleek golden-tan coat, pale cream underside, long heavy tail, muscular — STOPPED and facing her, head raised, actively OFFERING a bright-red Puma crossbody mini-bag held by its strap in its mouth, lifted toward her receiving hand. The handoff and the pet happen together — the bag at her one hand, her other hand on the cat's head. THE FACE: Natural skin texture, no airbrushing, no plastic or waxy skin, real skin with subtle tonal variation, soft organic light. THE SETTING (UNCHANGED): Preserve the studio from the reference exactly — tall window on the left, soft daylight, long geometric mullion-grid shadows across the smooth white floor, large open negative space. Do NOT redesign the room, and do NOT remove or flatten the window light and floor shadows to plain even white. THE LIGHT: Soft natural daylight from the window on the left; both the woman and the cougar lit by the same source — warm on their lit sides, soft shadow on the far sides, each casting a real soft shadow onto the white floor; crisp mullion shadows preserved. THE KEY DETAILS: The bright-red Puma crossbody mini-bag is the hero prop, clearly readable, offered in the cougar's mouth at her receiving hand. No text, no logos elsewhere. THE MOOD: A clean, energetic sportswear campaign still — whimsical, premium, warm, punchy color against white. THE COMPOSITION: Wide framing matching the reference — the woman in the left third, the cougar just in front of her in the center, close enough that she can both take the bag and touch its head, generous space around them, both full-length with comfortable headroom. Do NOT zoom in; hold the reference's camera distance and scale. THE CAMERA: Editorial campaign capture — clean full-length fashion frame, eye-level, deep focus so the room and floor shadows stay sharp, neutral balanced daylight. 16:9.
4. Cat plus wordmark
For the end card I used the leaping cat from Puma's logo file and had the "PUMA" wordmark written under it in bold black capitals, so the lockup looks like the real one. Empty room behind it.
Exact prompt
Create a new photorealistic image. This is a photograph taken in the same white studio from the start — not a composite. Rebuild the scene as if shot natively here, with unified lighting across the wall and the environment. THE VIBE: A clean, confident brand end-card — the empty studio with the Puma logo settled onto the back wall. Minimal, premium, calm. THE SETTING (UNCHANGED): Preserve the studio from the second reference exactly — the tall window on the left, soft daylight, the long geometric mullion-grid shadows across the smooth white floor, the large empty room. No people, no animals. Do NOT redesign the room, and do NOT remove or flatten the window light and floor shadows to plain even white. THE LABEL: Centered on the clean white back wall, render the exact leaping-Puma cat silhouette from the first reference — the cat mid-leap, solid matte black, reproduced precisely in that exact shape and proportion. Directly beneath the cat, render the word "PUMA" in bold, clean, solid-black uppercase sans-serif lettering, correctly spelled, sized smaller than the cat, centered. Crisp, sharp, flat against the wall as if cleanly applied vinyl. Do NOT redraw or restyle the cat; match the first reference exactly. THE LIGHT: Soft natural daylight from the window on the left; gentle falloff across the wall, crisp mullion shadows preserved on the floor. THE MOOD: A premium minimalist brand sign-off frame. THE COMPOSITION: Wide framing matching the second reference's camera distance — the cat + wordmark lockup centered on the upper-middle of the back wall at a tasteful size, generous white space around it, floor and window shadows visible below. Do NOT zoom in. THE CAMERA: Editorial campaign capture — clean, eye-level, deep focus so the wall logo and floor shadows stay sharp, neutral balanced daylight. 16:9.
5. She walks in
From the empty room to her pose. She comes in from the right, crosses to the left third and puts a hand on her hip. One woman, no sliding.
Exact prompt
Clean white photo studio, tall window on the left, soft daylight, long mullion-grid floor shadows — hold the room, light and shadows constant. The room starts empty. A woman with a sleek dark high ponytail, in a fuchsia-pink zip track top, electric-blue track pants and white sneakers walks IN from the RIGHT side of frame, crosses toward the LEFT THIRD, and settles into a relaxed confident stance with one hand on her hip, as in the final frame. ONE single woman, no clones, no duplicates. Natural athletic walk, grounded footsteps, no sliding, no backward motion, no camera push. Wide framing held.
6. The cougar pads in
The cougar pads in from the right with the strap in its mouth, stops and lifts its head. At the end she reaches one hand for the strap and rests the other on its head, landing exactly on the delivery frame. I wrote it as one clean motion and ruled out taking the bag and giving it back.
Exact prompt
Start exactly on the first bound frame and end exactly on the second bound frame — hold the same woman (same face, sleek dark ponytail, fuchsia-pink track top, electric-blue pants, white sneakers), the same room, light, scale and her position in the left third throughout. Do not redesign, morph, or warp anything. ONE simple continuous motion: a real tawny cougar (true size, NOT giant) pads IN from the RIGHT toward the woman carrying a bright-red Puma crossbody bag by its strap in its mouth; it stops and faces her, raising its head to offer the bag up. The woman bends slightly and, at the end, reaches ONE hand to take the bag's strap while resting her OTHER hand gently on the cougar's head to pet it — ending exactly on the second frame. One clean motion, no taking and giving back. ONE woman and ONE cougar only, no clones, no duplicates, no extra limbs. The woman stays planted in the left third; only the cougar moves in from the right. Grounded weight, no sliding, no backward motion, no camera push.
7. Bag on the shoulder
She slings the bag over her shoulder, gives the cougar one last pat, then they both turn right and walk off together. The logo snaps on once the room's empty. I numbered the actions so they play in order.
Exact prompt
Clean white photo studio, tall window on the left, soft daylight, mullion floor shadows — hold the room, light and shadows constant. Start on the woman (fuchsia-pink track top, electric-blue pants, white sneakers) holding the bright-red Puma crossbody bag beside the tawny cougar. Action, in order: (1) the woman slings the crossbody bag over her shoulder and gives the cougar a last friendly pat; (2) the woman and the cougar both TURN to face RIGHT and walk off together toward the right edge of frame, same direction, side by side, exiting the shot — no backward or sideways sliding; (3) the room is now empty and the Puma logo — the leaping cat above the bold "PUMA" wordmark — snaps on all at once, solid black, centered on the white back wall, locked and sharp. Hold the window light and floor shadows throughout. No camera push.
8. Make it one video
Emero joined the clips for me. Any editor is fine too.
Exact prompt
Combine the clips in order
Why it works
Putting the handoff and the pet in one still gives the delivery clip a single end point to land on. And the cougar is the brand's own leaping cat, so the end card closes the loop.
Your turn: if your spot has two beats with the animal, try putting both into one pose and see if it reads.
Emero writes these prompts for you and remembers what worked last time, at cost.
Get one of these every day
I test new workflows daily and send them with the exact prompts, the models and the costs
5,976 generations tested so far
More workflows
See allNano Banana Pro + Kling 3.0 - a surreal knitted wool world in three clips
Build a surreal world made of wool, dress a character to match and animate three short clips
Nano Banana Pro, Kling 3.0 · 10 min render
Nano Banana Pro + Kling 3.0 - a leopard brings a leopard-print bag, and the print comes off her
A leopard delivers a leopard-print bag, and the print comes off her dress
Nano Banana Pro, Kling 3.0 · 13 min render
Nano Banana Pro + Kling 3.0 - a cassowary hands over a red bag
A woman in a red gown gets her bag from a cassowary that walks in mid-clip, built from stills
Nano Banana Pro, Kling 3.0 · 8 min render