Disclaimer: This is an independent creative test made with AI, for demonstration only. It isn't an ad for any brand shown or named, and isn't affiliated with, sponsored or endorsed by them. All trademarks belong to their owners
Nano Banana Pro + Kling 3.0 - a peacock carries a bag by its gold chain
A gown in peacock colours, and a peacock that brings a jewel-toned bag by its gold chain
Tested by Nouamane Benbrahim
In today's "animal frames" series I did a test spot styled on Versace's look. A woman in a shimmering teal gown waits in a white studio, and a peacock walks in carrying her bag by its gold chain. Not a Versace client, I made this as a test. The idea here was to dress her in the bird's own colours.
Here's my exact process.
1. Set up the room
The room started as a prompt with nothing else: a white sweep, a window off to the left, light across the floor. I then fed that image back in and changed one thing, the floor, to white.
Exact prompt
Create a new photorealistic image. This is a photograph taken inside a minimalist white studio from the start — not a composite. Shoot the whole space natively, with a single unified natural light source across every surface. THE VIBE: Austere, hushed, expensive emptiness — the pared-back quiet-luxury minimalism of a high-fashion campaign set before anything is placed in it. The room feels intellectual and cool, precise but not sterile, where the quality of light and the fall of a shadow are the only events. Stillness and generous negative space. THE SETTING: A clean, modern white studio — a seamless matte-white cyclorama sweep curving gently from floor to wall with no visible seam, its surface carrying the faintest real texture and tonal variation so it reads as painted plaster, not a flat digital void. A polished pale microcement floor with a soft satin sheen, subtle and almost imperceptible reflections. One tall floor-to-ceiling window just out of frame to the left. Architectural, uncluttered, refined proportions. THE LIGHT: Soft directional daylight raking in low from the left through the unseen window, casting long, clean, elongated geometric shadows across the white sweep and floor — the crisp diagonal of a window frame and mullions stretched across the wall. Gentle falloff from bright highlight to soft grey shadow, smooth gradients, no harsh clipping. Cool-neutral white balance with the faintest warmth where the sun lands. THE KEY DETAILS: The natural window-cast shadows are the subject — long, soft-edged diagonal bars and a rectangle of light on the floor. Delicate dust motes suspended in the light shaft. Subtle tonal gradation across the seamless wall. THE MOOD: Editorial, muted, cold-clinical calm with a breath of warmth. Restrained luxury. A clean neutral grade, whites held just off pure white, soft grey shadows, nothing oversaturated. THE COMPOSITION: Wide architectural frame, eye level, straight-on and balanced. Vast negative space with the shadows placed on a rule-of-thirds diagonal as the leading lines; low emphasis, open airy upper frame. THE CAMERA: Cinematic editorial architectural still — wide framing, eye-level straight position, deep focus with everything sharp edge to edge, lit exclusively by the single window daylight source with no studio strobes and no artificial separation, a clean cool-neutral naturalistic grade in the vein of Roger Deakins' understated natural light. Light falls off gently toward the frame edges. Hyperreal, tactile, every surface present.
Exact prompt
Create a new photorealistic image, but the floor is now white. Preserve everything else from the reference exactly — the seamless matte-white cyclorama wall, the soft low directional daylight from the left, the long clean geometric window-cast shadows, the composition, framing, grade and mood all stay identical. THE FLOOR (CHANGED): The floor is now a clean matte white, continuous with the seamless white cyclorama sweep so wall and floor read as one unbroken white surface, no visible seam. A soft satin sheen with subtle, almost imperceptible reflections, the faintest real texture and tonal variation so it reads as painted plaster rather than a flat digital void — never pure clipped white. THE SETTING (LOCKED): The minimalist white studio, the seamless curving cyclorama, the tall floor-to-ceiling window just out of frame to the left. Do NOT redesign the environment. THE LIGHT (LOCKED): Soft directional daylight raking in low from the left, casting long, clean, elongated geometric window-frame and mullion shadows across the white sweep and now the white floor, with gentle falloff to soft grey and smooth gradients. Cool-neutral white balance with the faintest warmth where the sun lands. Delicate dust motes in the light shaft. THE MOOD (LOCKED): Editorial, muted, cold-clinical calm with a breath of warmth, restrained luxury, clean neutral grade, whites held just off pure white. THE COMPOSITION (LOCKED): Wide architectural frame, eye level, straight-on, vast negative space, the shadows on a rule-of-thirds diagonal as leading lines, open airy upper frame. THE CAMERA (LOCKED): Cinematic editorial architectural still, deep focus everything sharp edge to edge, lit exclusively by the single window daylight source, clean cool-neutral naturalistic grade, gentle edge falloff. Hyperreal and tactile.
2. Peacock colours on her
I described the gown in peacock jewel tones: deep emerald-teal shifting to royal blue with a soft shimmer. One shoulder, a draped liquid-jersey cut, a high slit, and gold Medusa hardware at the shoulder and hip. No product photos, just text, plus the empty studio for the room.
Exact prompt
Cinematic editorial fashion still, 16:9. A full-body figure at portrait scale occupying the LEFT third of the frame, with generous white negative space filling the rest. THE SETTING (UNCHANGED — preserve exactly from the reference studio): the same seamless matte-white cyclorama, white curved sweep into continuous matte-white floor, faint painted-plaster texture, soft satin floor sheen. Preserve the SAME soft directional daylight raking in low from the LEFT through a window, casting the SAME long clean geometric window-frame and mullion shadows across the floor to the RIGHT — the window light and its geometric floor shadows must be present exactly as in the reference, do not flatten to plain white. Cool-neutral white balance, faint warmth, dust motes in the light shaft. Roger Deakins naturalistic grade, deep focus. A woman stands at full portrait scale in the LEFT third of the frame. Late twenties, tall, striking, warm olive skin, glossy dark hair in a sleek voluminous blowout, bold Versace-glam makeup with a smoky bronze-gold eye. She wears a dramatic VERSACE draped liquid-jersey evening gown in intense iridescent peacock jewel tones — deep emerald-teal shifting to royal blue with a subtle shimmer — a fluid one-shoulder draped silhouette with a high thigh slit, cinched by a gold Medusa hardware medallion at the shoulder and hip. Gold Medusa accents. Sensual, powerful Versace glamour, vivid jewel color against the white studio. Confident stance, weight on one leg, one hand on her hip, poised gaze to the LEFT toward the light. High-fashion editorial, no large brand text.
3. The bird shows up
For the hand-off frame I gave it her pose frame and the empty studio. The peacock is all text: tail fanned out in blue, green and gold eye feathers, crest up, facing her. The bag is a La Medusa in jewel tones with a gold Medusa clasp and a gold chain. She takes it with her left hand and strokes the peacock's neck with her right. Look at how close the gown and the tail are in colour, that was the whole plan.
Exact prompt
Cinematic editorial fashion still, 16:9, medium shot. Both figures at full portrait scale — the woman the SAME size as in the first reference frame, a full-body figure, NOT small or distant. Generous white negative space fills the upper area and right side. THE SETTING (UNCHANGED — preserve exactly from the reference studio): the same seamless matte-white cyclorama, white curved sweep into continuous matte-white floor, faint painted-plaster texture, soft satin floor sheen. Preserve the SAME soft directional daylight raking in low from the LEFT through a window, casting the SAME long clean geometric window-frame and mullion shadows across the floor to the RIGHT — the window light and its geometric floor shadows must be present exactly as in the reference, do not flatten to plain white. Cool-neutral white balance, dust motes. Roger Deakins naturalistic grade, deep focus. The same woman from the first reference — late twenties, warm olive skin, glossy dark hair in a sleek blowout, bronze-gold glam — stands and leans gracefully on the LEFT at full portrait scale, wearing the VERSACE iridescent emerald-teal-to-royal-blue draped liquid-jersey gown with gold Medusa hardware and high slit. Just to her right, a magnificent live PEACOCK stands in full glory, iridescent teal-and-emerald body, a fanned tail of blue-green-gold eye feathers, crest on its head, facing her. The peacock has just delivered a VERSACE La Medusa handbag — a structured jewel-toned bag with a gold Medusa clasp and gold chain — offered up, which the woman takes with her LEFT hand. Her RIGHT hand reaches out to gently stroke the peacock's iridescent neck. Serene, opulent, tender moment. Both figures clearly at portrait scale. High-fashion editorial, vivid peacock jewel tones and gold against the white studio.
4. Logo on the wall
The end card is the empty studio with the Versace logo, the Medusa medallion with its Greek-key border over the wordmark. The pose frame handled the room, and a logo file handled the artwork.
Exact prompt
Minimalist title card, 16:9. THE SETTING (UNCHANGED — preserve exactly from the first reference studio): reproduce the same seamless matte-white cyclorama, white curved sweep into continuous matte-white floor, faint painted-plaster texture and satin floor sheen. Preserve the SAME soft daylight raking from the LEFT through a window, casting the SAME long clean geometric window-frame and mullion shadows across the floor to the RIGHT — the window light and its geometric floor shadows must be present exactly as in the reference, do not remove them or flatten to plain white. Cool-neutral white balance, dust motes. Just an empty studio, no person or animal. Composite the exact VERSACE logo from the second (logo) reference — the circular Medusa head medallion with the Greek-key border above the black serif "VERSACE" wordmark, reproduced precisely, unchanged in shape and proportion — centered on the white wall as a flat crisp black title graphic, perfectly level and sharp. Nothing else in the frame — the empty studio exactly matching the reference, with the centered black VERSACE Medusa logo. Editorial end-card.
5. In she comes
Empty room first, pose last. She walks in from the right edge and stops in the left third, hand on her hip. I asked for exactly one person in frame.
Exact prompt
Static locked camera, no camera movement. ONE single woman only — exactly one person in the frame at all times, no clones or duplicates. The empty white studio; the woman enters FROM THE RIGHT edge of the frame, walks across to the left, and settles into a powerful poised pose in the left third — weight on one leg, one hand coming to rest at her hip, head turning to a confident gaze to the left. Natural unhurried single-person walk, the iridescent jewel-tone gown flowing and catching light, long window shadows steady on the floor. Sensual Versace glamour editorial. The frame is locked; no camera movement.
6. By the chain
This is the bit I like. A peacock carrying a bag needs something to grab, so I gave it the obvious thing: the gold chain, in its beak. It walks in from the right, stops beside her, she takes the bag and strokes its neck.
Exact prompt
Static locked camera, no camera movement. ONE single woman, one peacock — no duplicate figures or clones. The woman stands posed on the left. A magnificent peacock in full iridescent plumage walks gracefully into frame from the RIGHT, carrying a jewel-toned Versace La Medusa handbag with a gold Medusa clasp by its gold chain in its beak, and comes to stand beside her. She reaches out and gently takes the bag with her left hand, lowering it to her side, then raises her right hand to softly stroke the peacock's iridescent neck. Slow, opulent, tender motion. Both figures at full portrait scale, generous white space, window shadows steady on the floor. Sensual Versace glamour editorial, vivid peacock jewel tones and gold against white. The frame is locked; no camera movement.
7. Out they go
I wrote that she keeps the same draped gown the whole time and it never changes into anything else. She and the peacock turn and walk off to the right, and the logo snaps on in one go while she's still walking out.
Exact prompt
Static locked camera, no camera movement. ONE single woman, one peacock — no duplicate figures or clones. She keeps wearing the SAME iridescent emerald-teal-to-royal-blue draped Versace gown throughout — the gown never changes into anything else. The woman, the La Medusa bag now in hand, and the peacock turn and move off together toward the RIGHT, slow and unhurried, her gown flowing. While she is still mid-stride exiting right, the VERSACE logo — the circular Medusa medallion above the serif VERSACE wordmark — appears ALL AT ONCE in a single instant, snapping into place fully formed and centred over the frame as a flat crisp black title graphic, NOT fading or dissolving in. It holds perfectly still and sharp as she finishes exiting right, and the frame resolves to the clean white studio with the centred black VERSACE logo. The frame is locked; no camera movement.
8. Join them
Three clips, one after another. I had Emero combine them, but any editor's fine.
Exact prompt
Combine the clips in order
Why it works
The gown and the tail share the same jewel tones, so the frame tells one colour story instead of two. And the chain gives the peacock a clear place to hold the bag, which makes the hand-off easy to describe in a prompt.
Your turn: pick your animal first, then pull your outfit colours straight from it.
If you'd rather not write all this out every time, Emero writes the prompts and remembers your brand's colours, at cost.
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